The three options are steel, nickel, or iron output transformers to get the recognizable sound of different styles of analogue consoles. Switching between these makes a subtle but interesting sonic shift, letting you choose the right character for the material. The Shadow Hills Mastering Compressor provides excellent tone control thanks to its three selectable output transformers. You can run the Optical and Discrete sections together or separately, essentially giving you three modes of compression in one unit. The Discrete compressor provides more precise control over attack, release, and ratio. Technically, it takes over where the Optical stage leaves when running two-stage compression. Shadow Hills’s Discrete section works on a VCA design. It’s based on the classic compressor from the ’60s we all know and love. The Optical mode is fairly straightforward, featuring only Threshold and Makeup Gain controls. It sports both Optical and Discrete modes with three switchable output transformers for different flavors. This beast of a bus compressor is actually three-in-one. For engineers who need unrivaled dynamic control, the Shadow Hills gets the job done. The thing is a monster, equally recognized by its imposing looks and its premium sound. The Shadow Hills Mastering Compressor is nothing short of a modern classic.
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